I have had grand intentions of photographing fireworks in the past with zero success – this year is the first opportunity I have fully taken advantage of. I packed my Betsy, my tripod and by the grace of God, my remote.
We set up in amidst throngs of people underneath huge oval spotlights that I confess, had me worried. I set my camera at a 30 second shutter speed, wide aperture and waited for the show.
The lights dimmed, the first spark went up and it was on.
After three explosions it became clear that 30 seconds was going to be way too long. I set it back to 6 seconds. Again, too long. Some fireworks were clearly brighter than others. A single setting for all was not going to work, and I didn’t want to waste time changing settings, especially when you have no idea what is about to explode overhead! How to fix this? Light bulb moment – almost literally – BULB!
Enter lesson eight: With my remote and the shutter set to Bulb I could press and release as I pleased depending on how bright each blast was. I had to adjust the aperture several times, but towards the end managed to get the hang of the timing of the show and came out with some crackers. The best part? I was able to sit back in my comfy camp chair, watch the show and just press and release my remote! Honestly, most enjoyable way to photograph something! It became an awesomely fun challenge to get the timing right.
Of course, each silver lining comes with a dark cloud. The day before this glorious revelation we had been at the beach. Enter lesson nine: Clean lens after taking Betsy to the beach! Due to some salt spray on my lens, many of my firework photos were rendered useless! Luckily some were not bright enough to make the salt spots shine, so there are a number of usable ones.
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Two different types here, great patterns. Small salt spots on the bottom though which is a shame. EOS 50D, f/16, 6 seconds, 18mm. |
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These guys were interesting. When you watch them they appear as dots of light. When photographed they appear as feathers. It's so much fun. EOS 50D f/22 ISO 500 18mm. |
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The difference the shutter speed makes - same style as two above, but this time the shutter is only 1 second. EOS 50D, f/22, ISO 500 18mm. I think it looks like a protia flower. |
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Blue seemed to work well as it was not bright enough to light up the salt spots. Plus there were no fireworks underneath this one which helped. EOS 50D f/22 2 seconds, ISO500 18mm |
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Probably my favourite because of the different colours and the glitter effect of the gold. Canon EOS 50D, f/22, 2 seconds, ISO 500, 18mm |
Not bad for a first time photographing fireworks though! It may not be natural creation, but they are still a creation of colours, and a whole lot of fun!
Just a note that all these images are edit free other than cropping. I needed the full 18mm to capture the whole diameter but it left a lot of dark space that required cropping. Not to mention the salt spots!
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